They talked for a time about domestic matters. Joan had established herself in furnished rooms in a quiet street of pleasant Georgian houses just behind the Abbey; a member of Parliament and his wife occupied the lower floors, the landlord, a retired butler, and his wife, an excellent cook, confining themselves to the basement and the attics. The remaining floor was tenanted by a shy young man—a poet, so the landlady thought, but was not sure. Anyhow he had long hair, lived with a pipe in his mouth, and burned his lamp long into the night. Joan had omitted to ask his name. She made a note to do so. “Well, he’s wrong, anyhow,” retorted Flossie. “It’s no good our waiting for man. He is too much afraid of us to be of any real help to us. We shall have to do it ourselves.” She gave Joan a hug and was gone.!

They both laughed, and then shot a guilty glance in Flossie’s direction. “It was a foolish notion,” she said, “that of the Manchester school: that men and women could be treated as mere figures in a sum.”

He told her of what had been done at the works. Arthur’s plan had succeeded. It might not be the last word, but at least it was on the road to the right end. The men had been brought into it and shared the management. And the disasters predicted had proved groundless. “How did she come to fall in love with you?” asked Joan. “I don’t mean to be uncomplimentary, Dad.” She laughed, taking his hand in hers and stroking it. “You must have been ridiculously handsome, when you were young. And you must always have been strong and brave and clever. I can see such a lot of women falling in love with you. But not the artistic woman.” “Dad,” she cried, “are you here?”